This thesis is intended to review and create a greater understanding for the history and originsof printed scraps from late eighteenth century to the beginning of the twentieth century.A questionnaire survey was sent out to several Swedish museums, containing questionsconcerning their collections, possible exhibits, special difficulties and types of damagesconcerning scraps and their current storage. A visit to the Gothenburg city museum storagewas made to take a closer look at their scrap collection and how they were stored. Thisresearch resulted in an understanding regarding the current situation of printed scraps, whichunfortunately appears to be quite poor and inattentive. These results are presented in the firstchapter.The second chapter describes the history of printed scraps, followed by a chapter presentingrelevant printing techniques and technology. This is followed by various chapters dealing withhow the printed scrap has been used through the ages, history and development of motifs andthe album's significance.

The purpose of this master thesis is to investigate whether exhibitions and silent pedagogy can be used to develop more inspiring environments in the public library. Silent pedagogy is a term from the field of museum education describing the silent communication with visitors that takes place in exhibitions through introduction and orientation, layout and installation, as well as signage. In the 1980s, articles in a Swedish library magazine discussed the pedagogical importance of library exhibits and how they make the patrons aware of the library?s resources. This led us to museum education and a desire to investigate whether its theories were transferrable to the library context.

This thesis is largely about museums and their role and development in and for society. With a field/case study of the District Six Museum in Cape Town, we try to encapsulate a modern function for museums within a context of 1) the current worldwide discussion on museums and their future, and 2) the development of a new democratic nation in South Africa, and museums possible role in that process. Through analysis of interviews made with concerned people within and outside the District Six museum weintend to get a picture of the views on this particular museum and its role and function, for its community and society at large, plus for other museums, as a possible role model. We find that this museum might be close to a type of museum that has been asked for by museologists and others in recent times..

One part of preventive conservation is controlling the lighting in the exhibitions. As a first step we have to accept the fact that the very act of displaying objects is causing them damage, and because the trend is for everything to be open to the public view all the time, the aim is to minimize light exposure of exhibits.This essay will present lighting options and relate them to the current recommendations. I have put the emphasis upon describing which methods one can use to minimize the degradation of exhibits on display by eliminating UV- and IR-radiation and reducing the visible light. The intention with this essay is to investigate the current lighting options and compare these to the recommendations on lighting exhibitions.The selections of different lighting options such as LED-, halogen- and energysaving lamps were made based on avaibility. Thereafter I did two types of investigations.

Bergslagets museum is one of the oldest industrial museums in Sweden. It opened in 1922 in Falun, by the big mining company Stora Kopparbergs Bergslags Aktiebolag. This is a study of why a company would be interested in running a museum, why Bergslagets museum opened and who the people were that created it.Several persons were involved in collecting and organizing the models of old machinery, letters, paintings, pictures that was to become the Bergslagets museum. This paper shows different motives behind the opening of an industrial museum in Falun and gives a presentation of its superintendants, Carl Sahlin, Alvar Silow, Erik Johan Ljungberg and Olof Söderberg. All of them were central in the creating of the Bergslagets museum, today known as Gruvmuseet i Falun..

Uppsatsen handlar om Malmö konstmuseums fasta utställning "Från 1500 till Nu" och hur besökaren förhåller sig till utställningen ur ett makt-, genus- och identitetsperspektiv. Uppsatsen är inriktad på museibesökare som fungerar som informanter. Upplevelsen på museet, historia och kulturarv, identitet, äkthet och sanning, kvinnors plats i utställningen är några av de punkter som tas upp. Uppsatsen undersöker hur informanterna relaterar till utställningen, vad de vill att museet ska erbjuda dem och hur besökarna använder det de tagit del av på museet..

This thesis is a study of how Norse religion and early Christianization is presented in three Swedish museum contexts. Empirical studies of the exhibitions relating to religion have been conducted at The Historical Museum in Stockholm, The Museum of Gotland and Östergötlands Museum and interviews with the museum staff compliment the empirical data. The concept of religion has been problematized to facilitate the analysis. The result of the study is that there are tendencies to make a hierarchical order between the different religions and that Christianity is an organized religion while the Norse religion is semi-organized..

Fornföreningen Fibula on the Aland Islands contacts the author because its members want to create a museum.The purpose of this two years master?s thesis in Archive, Library and Museum studies is to shed light on what a museum really is. The research question I have answered is ?what is a museum and is this what Fibula really wants in their reconstructed Viking village??. Based on interview material, ethnographic field studies, relevant research in the subject and documents from Fibula, I have answered the research question.

The purpose of this paper has been to shed light on the ways the history represented at the City Museum of Stockholm can be used in education at the Gymnasia level. I have made use of the following set of questions to attain this purpose: 1) How is the City Museum's activity vis-á-vis the gymnasia organized and what is the purpose of this activity? 2) What positive results do the interviewees see in the collaboration between the schools and the Museum? 3) Why did the teachers represented in this paper choose to make use of the Museum in their education? The bulk of the study is based upon three interviews with the First Curator at the City Museum of Stockholm and two teachers, from Viola Gymnasiet and Skogsgårds Gymnasiet respectively. My method is qualitative and interpretative with hermeneutic features.In my interpretation of the source material I have made use of historian Klas-Göran Karlsson's classifications regarding the needs for various forms of history, use of history, users and functions of results. In this way I have been able to establish how the Museum and the teachers represented in the study make use of the history that is represented at the Museum.

Fornföreningen Fibula on the Aland Islands contacts the author because its members want to create a museum.The purpose of this two years master?s thesis in Archive, Library and Museum studies is to shed light on what a museum really is. The research question I have answered is ?what is a museum and is this what Fibula really wants in their reconstructed Viking village??. Based on interview material, ethnographic field studies, relevant research in the subject and documents from Fibula, I have answered the research question.

The purpose of this thesis is to investigate the function of the museum library. The methodused consisted partly of literary studies, and partly of field investigations, conducted mainlyin the form of interviews.Two different sets of field studies have been conducted. The first one is an investigation ofthe museum libraries in Goteborg. After a preliminary study, three of these have been selectedfor further investigation. These are the libraries of Göteborgs Konstmuseum, GöteborgsStadsmuseum and Röhsska museet.

SammanfattningSyftet med detta arbete är att undersöka hur Värmlands Museum utarbetar sin verksamhet och förmedlar sitt samhällsuppdrag mot skolan, samt hur verksamma lärare i praktiken nyttjar länsmuseet i historieundervisningen för grundskolans tidigare år.I undersökningen besvaras två frågeställningar: ?På vilket sätt organiserar Värmlands museum sin pedagogiska verksamhet för att bidra till historieundervisningen i grundskolans tidigare år?? och ?Hur används Värmlands Museum i historieundervisningen för grundskolans tidigare år??Grunden för arbetet består utav kvalitativa intervjuer. Två museipedagoger som är anställda sedan ett respektive två år på Värmlands Museum och fyra lärare som har praktiserat sitt yrke från nio till trettio år på olika skolområden i Värmland, har intervjuats.Resultatet från undersökningen visar att Värmlands Museum erbjuder flera pedagogiska program som kan användas i grundskolans historieundervisning. Merparten utav programmen har utgångspunkt i två permanenta utställningar. Lärarna har nyttjat museet i historieundervisningen med olika syften.

Denna C-D uppsats har som syfte att urskilja hur de olika arkeologiska perspektiven (kulturhistorisk-, processuell- och den postprocessuella arkeologin samt genus perspektivet) under 1900-talet fram till idag och hur de har påverkat den arkeologiska utställningen till form och innehåll. Uppsatsen tar upp utvecklingen av Lunds universitets historiska museum, och även dess framtida bild (LUHM)..

Smålands museum, the museum of Småland, is a museum for the county of Kronoberg, a mission given to the museum by the state and county council. The main fields of the museum are the cultural heritage and the history of culture of the region. The museum of Småland is also the Swedish museum of glass. This Master s thesis focuses on the information requirements of the employees at the museum of Småland. Because of the financial status of the museum, the librarian that worked at the museum had to quit about four years ago.

The foundation for a museum is the collection. To collect, preserve and display is what constitutes a museum. But the process of deciding which object´s should be saved, and which objects should not, are based on values. It is also values that make people inclined to donate objects to museums. How and why we value a museum determine if and why we donate.Objects themselves could be said to have a biography just like people.